Wednesday, August 5, 2009

The Wind-Up Bird Chronicle

About the Author
Haruki Murakami was born in Kyoto in 1949 and now lives near Tokyo. The most recent of his many honors is the Yomiuri Literary Prize, whose previous recipients include Yukio Mishima, Kenzaburo Oe, and Kobo Abe. He is the author of the novels Dance, Dance, Dance; Hard-Boiled Wonderland and the End of the World; A Wild Sheep Chase; South of the Border, West of the Sun; and Sputnik Sweetheart; of The Elephant Vanishes, a collection of stories; and of Underground, a work of non-fiction. His work has been translated into fourteen languages.
Review
"[A] big, ambitious book clearly intended to establish Murakami as a major figure in world literature....The new book almost self-consciously deals with a wide spectrum of heavy subjects....[It] marks a significant advance in Murakami's art....Murakami has written a bold and generous book, and one that would have lost a great deal by being tidied up." Jamie James, The New York Times Book Review
Haruki Murakami is generally considered the greatest Japanese writer of his generation, but at times he seems more in tune with the culture of the West than of his native country. Throughout his work, the food, music, movies, and literature references will generally be familiar to western readers. When one of his characters makes dinner, it is just as likely spaghetti as sushi; when they read a novel it is probably Hemingway or Salinger; when one of his characters puts on an album it is British or American pop (he even named a novel after a Beatles song). This preoccupation with the cultural trappings of the West makes Murakami highly accessible to westerner readers, and accounts, in part, for his tremendous popularity here.
But he is even more successful in Japan (his elegiac Norwegian Wood sold an astounding four million copies). Perhaps Murakami is so popular with the Japanese in part because his characters seek their cultural anchors abroad. A central theme in Murakami's work is the feeling among many Japanese that they have lost the clear sense of self, the firm identity, they had before the war. And nowhere in his impressive body of work has he explored this experience more deeply, or expressed it more powerfully, than in his most ambitious work to date, The Wind-up Bird Chronicle.
The story begins with the disappearance of Toru Okada's wife's cat, which is immediately followed by the disappearance of the wife, herself. Mild-mannered Toru sets out to find out where they went and why. He discovers much more than he bargained for: a precocious teenager, a pair of psychic sisters, a haunted veteran of Japan's war in Manchuria, a perfectly corrupt politician, and a strangely appealing well in a neighbor's yard. In his quest, Toru only succeeds in raising more perplexing questions, but his discoveries do shed startling light on the roots of the Japanese malaise. Surreal, insightful, quirky, and surprisingly affecting, The Wind-up Bird Chronicle has further proved Murakami's status as a world-class writer.

No comments: